The Illuminati Agenda in popular culture has become a worldwide phenomenon and it hasn’t spared Eastern Europe. Doda’s “Bad Girls” and Vintage’s “Trees” are two examples of very symbolic music videos that are extremely popular in Russia and Poland. We’ll look at these two video and see how their symbolic content is completely on-par with the world elite’s agenda.
What is called “the Illuminati” functions on a global scale, so it is only natural that its propaganda machine is also deployed on a global scale. While the American and British artists reach most of the world, “regional” stars are also used to propagate the elite’s Agenda to specific ethnic groups. Previous articles on Vigilant Citizen have described the Illuminati symbolism found in music from Korea, Japan, Latin America and Russia. Despite the difference in culture and language between these countries, today’s globalized mass media machine manages to expose the entire world to a specific Agenda and to a precise set of symbols.
Eastern Europe is obviously not exempt from the media machine. Not unlike the rest of the world, pop stars are often handpicked, signed to international record labels and put in the spotlight using videos that are in line with the Illuminati Agenda. In this article, we will look at Doda’s “Bad Girls” and Vintage’s “Trees”, two videos that, despite their limited market, have managed to get a lot of airplay and millions of YouTube views. Although not in the same language, both videos are a direct reflection of the philosophy and the goals of the Illuminati and act as a kind of “local distributors” of the elite’s Agenda. Let’s look at the message of these videos.
Doda’s “Bad Girls”
At first glance, one would be tempted to qualify Doda as a “bimbo”. And her first album cover would probably agree with you.
Doda's first album cover entitled "Bimbo" while she was in the group Virgin.
However, Doda is an extremely popular and influential figure in Poland. In fact, CNN ranked her as as the tenth most famous Pole in history. Yes, in HISTORY. That list includes Pope Jean-Paul II, Copernicus and Marie Curie. Furthermore, the Polish magazine Viva! placed her among the ten most influential women in Poland. Not bad for a bimbo. She also has a knack for creating controversy. In 2010, she caused quite a stir when she stated that the Bible was written “by people who drank too much wine and smoked herbal cigarettes”.
Doda’s popularity and sex appeal made her a perfect choice for Illuminati propaganda. After a few albums with the rock band Virgin, Doda began a solo career as a pop singer and her album, the Seven Temptations, appear to have all of the hallmarks of a true Illuminati piece.
The video, “Bad Girls”, reads like an Illuminati for Dummies: Polish Edition book, cramming into its few minutes of musical horror a complete array of messages. Some might say: “The Illuminati Agenda exists in the U.S., but not in Poland” and so forth. Well, Doda is signed with Universal Music, one of the five media conglomerates that distribute mass media across the world. It owns labels like Interscope, Geffen, A&M, Defjam, Island and Motown. She is therefore part of the elite’s system and was apparently chosen to be the Illuminati’s representative in Poland.
Bad Girls
The video takes place in a setting that the Illuminati loves: A futuristic dystopian police state. Cameras and “tele-screens” everywhere, police in riot gear and a faceless ruler: This imagery is present in pop videos around the world.
The “hero” of the story is Doda, a half-human half-robot, who emerges from some kind of transhumanist scientific lab. The promotion of the merger of humans and robots is a staple of the agenda, as seen in the article “The Transhumanist and Police State Agenda in Pop Music”.
The elite's preferred way of depicting their pop stars: Half-robots kept alive by a gigantic machine. The other "Bad Girls" are also attached to the machine.
There’s an English version of the song but the lyrics are kind of … nonsensical. However, they still manage to convey the fact that she’s “down with the dark side”.
“I know my way of my Babylon
All demons know, my booty show
Girl dress to kill I’m hell on heels
So come with me, we’ll go oh”
After blasting their way out of the lab, Doda and her girls then meet up in a restaurant that apparently serves humans: Another example of making dehumanization “cool” in music videos.
This restaurant is decorated with humans the same way steakhouses are decorated with cows. How engrossing.
In this restaurant for cannibals, Doda and her “bad girls” plan their attack on the big boss of the city.
The girl on the left has one eye hidden. Yes, Polish people also need to be exposed to this Illuminati One-Eye crap.
However, the meeting is interrupted by police in riot gear – a common sight in elite-supported videos (see the article entitled The Transhumanist and Police State Agenda in Pop Music).
Getting young people used to the sight of police in riot gear is an intricate part of the Illuminati Agenda in mass media.
When Doda sees the guards, she basically loses it and kills them with an animal-like scream (or something of the sors). Most people would be satisfied with such a result, but not Doda. She goes to the morgue where the dead guards are found and … gets sexy with one of them.
After cannibalism, necrophilia. I do not sense a lot of respect for human dignity in this video.
After she’s done with the dead guy, a strange phrase appears on his chest, one that appears to sum up the culture of death mass media keeps pushing on the world: “No Death, No Fun”.
"No Death, No Fun" ... is this the slogan of the occult elite that has plans for massive depopulation and enjoys ritual sacrifices?
Doda’s desecration of a dead body is not over. She accomplishes a symbolic gesture that confirms who is behind the message of the video.
Doda takes out one of the guy's eyes. Again, we have a reference to the "one-eye" symbol.
Doda uses the guard’s eye go past the security system that protects the access that leads to the King of the City. After a corny fight scene, Doda “overthrows” the King of the City and sits at his throne. A pill then emerges from her hand and, looking at the camera, Doda says “Try Me”.
Doda shows the viewers the pill they must "swallow" - symbolizing the doctrine they must accept - while urging them to "try her".
The sign on the pill has a heavy meaning. It is the symbol of Mercury, who is also known as Hermes - the "chief god" of the occult elite. Usually, the bottom part of the symbol resembles a plus (+) sign however, in this case, one extremity has been elongated, making the sign look like an inverted cross - a symbol used in Satanism. We therefore have a devil head sitting atop an inverted cross. Can't get more blatantly symbolic than that.
Doda’s overthrow of the King of the City can also be interpreted on a personal level. Since the video is very “anatomical”, the action of the video could happen inside a person’s body and mind. In this context, Doda and her girls, who were conceived in government labs, represent the Illuminati agenda that was conceived and calculated in elite think tanks. The message is inherently poisonous (hence “Bad Girls”) but is disguised as something sexy and attractive.
Doda (representing the propaganda) goes through the viewer’s eye (represented by the poking out of the guard’s eye) in order to access the brain – represented by the King of the City. She overthrows him and sits at his place, which represents a successful fight against the mind. Doda then asks the viewers to try her “Bad Girls” pill.
Therefore, in short, the same way Doda emerges from a lab and takes over the city, Illuminati propaganda emerges from think tanks and seeks to take over the masses’ brains through mass media. Popular culture promotes corrupt and debasing values, degrades human life and pushes transhumanism because this is where the elite want to take the world. Will you be swallowing the pill?
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